When I watched “SMOKE SIGNALS” (1998, Eyre), I perceived the two main characters, Victor Joseph and Thomas Brings-the-Fire, to be a split soul. Rarely apart, they guide each other towards wholeness. Victor brings Thomas into the present, while Thomas teaches Victor the way of the Worlds.
Wearing a suit and his hair in braids, Thomas resembles a medicine man from the last century. Known in the Coeur d’Alene Nation as an eccentric storyteller, Thomas lives his life by his own compass. He fears neither lies nor the truth. Weaving the past, present, and future in his stories, Thomas offers wisdom to those around him. As an old soul, Thomas delivers his pearls of wisdom with good humor. “Sometimes it is a good day to die. Sometimes it is a good day to have breakfast.”
Thomas, for his part, regards Victor’s father, Arnold, to be his teacher, he tells about going on a vision quest and encountering Arnold instead. In Thomas’s stories, Arnold emerges as a Shaman working magic and illusions. He hides in plain sight, and practices disappearing. Through Suzy Song, Arnold’s neighbor in Phoenix, Victor discovers that his father was an old soul who made a tragic mistake. Because his pain was so great, Arnold slowly let go of all his connections to this world. However, after his death, he returns to his son in a vision.
No comments:
Post a Comment