Showing posts with label Pagan Europe. Show all posts
Showing posts with label Pagan Europe. Show all posts

Saturday, October 29, 2016

Each-Uisge (Water-Horse): Be Cautious, Be Aware

Throughout the lands surrounding the North Sea, stories abound of dreaded lake monsters who lurk below the surface. These tales describe many of the monsters as “water-horses.” This beast resembles a seal with two sets of flippers, a long neck and a small head. People usually divide “water-horses” into two types – the long-necked Nessie and the maned Each-Uisge. While Nessie of Loch Ness is more benign, the Each-Uisge, also of Scotland, is more sinister. Haunting lakes and lochs, this shapeshifter kills and eats unwary humans (leaving only the liver). The Each-Uisge usually lures people by pretending to be a docile horse.

 From ancient times, the Each-Uisge has filled people with dread and fear. The Picts depicted Him in all his ferocity their pictographs. The Romans recorded deadly sightings of this beast during their time in Britain. Described as a glistening black horse with a greenish patina, the Each-Uisge would appear on the roadside as a tame horse. Seeing relief, the weary traveler would mount Him, only to find themselves firmly affixed to the beast’s back. After that, the “horse” would quickly trot off. When the Each-Uisge smelled water nearby, He would race into the lake drowning the unfortunate victim.

One blood-curdling account tells the killing of several children by the Each-Uisge. This creature had appeared to several children as a pretty pony. As each child sat on his back, the “pony” would lengthen it to fit more children. When commanded by the Each-Uisge mount, a frightened boy ran away. As the boy escaped, he heard his friends scream as they were drowned in the lake. The next day, the sorrowful villagers only found the children’s livers floating in the water.

The Each-Uisge is called by many names throughout the North Sea region. In Norway, this beast is Backahasten or Nokken, the “brook-horse.” In The Faroes, He is known as Nukur, and Nuggle in the Orkeys. The Irish call Him, the Capall-uisce, and the Manx, the Cabbyl-Ushtey.

In Wales, the Each-Uisge is known as the Ceffyl Dwr. This small beautiful “horse” lived in mountain pools. Once someone mounted Him, the Ceffyl Dwr would fly over the water and, then melt into a mist. After the victim drops into the water, He would reform and eat the body. At other times, this beast would transform into a frog and leap on the victim’s back.

No one is quite sure what the Each-Uisge is. Is this creature, an undiscovered mammal such as a new species of otter or seal? Or are the stories too fantastic for an ordinary animal? Whatever the Each-Uisge is, everyone will agree that He is deadly and vicious.

The Each-Uisge is real to those who believe the old myths. Something lives in those lakes, pools, and lochs; Something that will kill and eat you. Ignore the myths at your own peril. Be cautious and aware that not everything you encounter is benign.
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Note: The Kelpie is similar to the Each-Uisge, except that She dwells in rivers and waterfalls.

Drawing Copyrighted by Liza Phoenix (Own work), via Wikimedia Commons

Wednesday, December 23, 2015

EURASIAN WREN: Sacred Mysteries

The “Wren” of Europe, Eurasian Wren (Troglodytes troglodytes) is the only Wren that lives in the Old World. Known as Bran’s Sparrow to the Celts, Wren foretold the future with his songs. The Celts called their sacred Wren “Drui”, (meaning “The Druid among Birds”). Under the protection of Taranis, the Celtic God of Thunder, Wren often nested in his oaks. Killing a Wren brought the wrath of the Gods upon unwary people.

 To various peoples from Japan to Germany, Eurasian Wren is the King of the Winds. Plutarch tells the story of how the Wren became the King of the Birds. The Birds decided whoever could fly the highest to the sun would rule over Them. The Eurasian Wren secreted Himself under Golden Eagle’s down feathers. When Golden Eagle tired, Eurasian Wren flew out and ascended higher, getting singed by the sun’s rays. Returning, the other Birds proclaimed Eurasian Wren their King. Cunning and cleverness had outwitted strength.
 
During the winter, this tiny Bird lives in a communal roost with other Eurasian Wrens. To keep from freezing, They share their warmth. Just before dusk, Eurasian Wren calls to the Others. They answer and then enter their roost one by one. Many as sixty Eurasian Wrens will share an abandoned nest site.

 In British folklore (Eurasian) Wren ruled the winter and (European) Robin ruled the summer. As the representative of the Old Year, Wren was sacrificed to bring in the New Year (as represented by Robin). This ritual killing of Wren ended winter and the Old Year.

Later Christians associated Eurasian Wren with the Virgin Mary. Now the ritual killing of the Wren by the Wren Boys happened on the day after Christmas, which was St. Stephen’s Day. One theory to this ritual occurrence was that people celebrated the ending of Paganism and the coming of Christianity. Another posits that Eurasian Wren betrayed St. Stephen, the first Christian martyr.

The smallest and shiest of the Wrens, Eurasian Wren sings the loudest. Quivering and exposed on a branch, He trills his divine melodies. Except to end winter, His killing brings misfortune. With these examples, Eurasian Wren demonstrates the paradoxes of life. A sacred Bird, Wren sings as He unwraps the sacred mysteries of the universe. Spend time with Eurasian Wren to understand life’s prophecies.

Teachings of Eurasian Wren also Includes:
Being Small but Mighty
Singing Your Own Song
Cunning and Stealth

Science Notes:
1. Except for Eurasian Wren, the Wren Family lives only in the Western Hemisphere.
2. Eurasian Wren is actually a species complex with 27 subspecies.

(Note: Revision of Winter Wren blog of 2008.)

Saturday, May 02, 2015

Myth of Romulus and Remus for modern people

The founding myth of the City of Rome centers on the twin brothers, Romulus and Remus. This myth encompasses the circumstances of their birth, their coming of age, and the death of Remus by his brother. What makes this myth remarkable, for me, is that this is essentially the creation myth for ancient Romans. The myths of Romans usually focused on civic ethics or piety toward the Gods. (Any myth that detailed the creation of the world was usually adapted from the Greeks.) This founding myth presents the belief of the Romans that they were called to a greater destiny in the world. However, they were unsparing in highlighting that Romulus murdered his brother or that the original Romans were criminals.

 The elements of this myth are twins with a divine parentage: in their case, Mars, the God of War. Their royal grandfather is overthrown, and their mother is made a Vestal Virgin. The twins are sent out to be killed by their great uncle, but are saved through magical intervention. A wolf rescues them and nurses them until they are found. A childless couple, Faustulus and his wife adopts the twins and raise them as shepherds. When the brothers are grown, they get into trouble with the king’s men. When they were taken before their great uncle, who happens to be the king, Romulus kills him, and reinstates their grandfather and frees their mother. Afterwards, the brothers leave to find their own fortune. Along the way, they argue over where to establish their new city. Goaded into fury by Remus, Romulus kills his brother. Filled with remorse, he buries Remus with great pomp, and then founds The City of Rome.

 Because of my brain injury, writing fiction is difficult. Imagining characters and constructing a plot is hard. However, I can read fiction, and my favorite genre is crime noir. I decided to rewrite the myth of Romulus and Remus in that form. Comparing this Roman myth to pulp fiction, it sounds like something from the stories of American organized crime. Keeping the original Roman names, I rewrote the myth as crime noir.

 In the City of Alba Longa, the Numitor Crime Family ruled the criminal underworld. The head of the Family, Don Numitor was so powerful that he had a seat on the National Commission, which ruled the criminal underworld of the nation. The head of the Commission (the Boss of Bosses) was Don Maroni (Mars, the God of War). In addition, Don Maroni was interested in Rhea Silvia, Don Numitor’s daughter.

 Meanwhile, Amulius seized control of the Family from his unsuspecting brother. After his coup,
Amulius confined Numitor to his home, and forced his niece into a convent. To ensure that Rhea Silvia remained at the convent, Don Amulius bribed the Mother Superior.

 After Don Maroni found out where Rhea Silvia was, he also bribed the Mother Superior to ensure that his visits were unimpeded. In a few months, Rhea Silva became pregnant. Therefore the Mother Superior asked Don Amulius to come and fetch his niece. After he arrives, she informs him that the father of his niece’s children is none other than Don Maroni. Not willing to offend the Boss of Bosses, Don Amulius imprisons her with her father in their house.

 However, Don Amulius regarded her children to be a different matter. He would tell Don Maroni, that the two boys died at birth. Meanwhile, he ordered one of his men to “take care” of them. The goon dumped the twins into the Tiber River. They floated downstream until a stray dog paddled out and pulled them to land. Since she had lost her puppies, the mangy dog nursed the boys as her own. Then, a passing farmer heard their cries, rescued them, and took the babies to his farm. Faustulus and his wife, Acca Larentia, raised Romulus and Remus as their own sons.

 Like many young men, Romulus and Remus longed to leave the farm and go into the city. During a trip to Alba Longa, Romulus and Remus got into trouble. Don Amulius’ men dragged them to the “Padrino,” Don Amulius, since Remus had killed their Capo (Crew Boss). However, Romulus escaped, and formed a gang of toughs to storm Don Amulius’ office to rescue his brother. In the melee that followed, he killed Don Amulius.

 The Underboss of the Amulius Family recognized the two brothers as the children of Rhea Silva and Don Maroni. Because of this, he offered them the position of Don of the Family. But, Romulus decided that his grandfather be reinstated instead, and their mother freed. After reuniting with their mother, and learning who their father was, Romulus and Remus set out to start their own crime family, in another city.

 Empowered by being the sons of Don Maroni, the two brothers gathered an impressive group of criminals. As they searched for a suitable city, Romulus and Remus fought with each other. Arriving at a likely town, their arguing became more intense about who would be boss of the new crime family. After Romulus claimed that he received a sign from their father, he decided that this small town is the place to start their Family. Moreover, he announced that he would be the Don. Chagrined at being ignored by his brother, Remus taunted him for being so stupid to set up “business” in such a small town. Enraged, Romulus killed him. After ruing the murder of his brother, Romulus gave Remus a magnificent funeral. Then, he became Don Romulus, the head of the Rome Family, his new crime organization.

Works used.
 Garcia, Brittany, “Romulus and Remus.” Ancient History Encyclopedia. 4 October 2013. Web. http://www.ancient.eu/Romulus_and_Remus/.
“Roman Mythology,” Myths Encyclopedia. 2015. Web. http://www.mythencyclopedia.com/Pr-Sa/Roman-Mythology.html.
 “Roman Mythology,” United Nations of Roma Victrix History. 2015. Web. http://www.unrv.com/culture/mythology.php.
 Watson, Donald, “Roman Mythology.” Ancient History Encyclopedia. 10 December 2014. Web. http://www.ancient.eu/Roman_Mythology/.

Monday, October 27, 2014

Archetypes in Mythology: Norse: Building of Asgard

The Wall of Asgard (Norse)

Read the Myth at Hurstwic Norse Mythology 
 
This myth details the relations between the Giants and the Gods. Both indulge in treachery to obtain their goals. The Giant, who had disguised himself, is both the Shapeshifter and the Shadow. When he bargains with Odin, the All-Father, he presents himself as an ordinary mortal. However, neither he nor his horse are that. In payment for building the wall around the Gods’ city, the Giant would receive Freya, Mani, and Sunna (Sol). By tricking the Gods, he shows Them for who they really are, people who do not keep their word.

 Loki, an Outsider, is the Trickster who devises a way out of the Gods’ dilemma. He shapeshifts to trick the Giant’s horse. Depriving the Giant from finishing the wall, Loki saves the Gods and presents Odin with a gift. From the union between Him and the Giant’s stallion comes Odin’s steed, Sleipnir.

Friday, August 29, 2014

Building Stonehenge: The Beginning (2 of 2)

 In the 1960’s, when builders were excavating a parking lot near the Stonehenge site, they found four post holes that was believed to hold large pine logs. (These holes are said to be about 10,000 years old.) Ancient peoples traveling the Salisbury Plain would see these posts from miles around. Set east to west, these post holes were considered to be the first evidence of the area’s great importance. 

 Starting about 3100 BCE, the Windmill Hill People took the existing post holes and expanded the site. Using various tools such as deer antlers and digging stones, they dug a ditch and formed a bank, with an opening in the northeast. Call the Great Cursus, this ditch was white from the chalk underneath the grass. Outside this ditch, these people dug fifty-six pits named Aubrey Holes (after their discoverer James Aubrey). In these holes, archeologists have found cremated remains of people. One theory is that the Windmill Hill People was commemorating their Dead and their Ancestors.

 Many people have assumed that the Aubrey Holes had an astronomical use. Following the phases of the moon has been important to peoples in ancient times. One theory is that these holes marked lunar eclipses. Another theory is that the Windmill Hill People were marking particular phases of the moon. Other archeologists have noticed that the Aubrey Holes were aligned north-east and south-west. These holes then lined up with the sun at the solstices and equinoxes. This has lead to another working theory that the Aubrey holes are a calendar of equinoxes, solstices, lunar eclipses, and solar events. The underlying assumption to this theory is that many early peoples followed lunar-solar cycles for practical and religious reasons.

From the beginning of Stonehenge, numerous ancient peoples have added their particular visions to the site. Each succeeding generation built on the previous one’s efforts. We modern people will never know what the original purpose to Stonehenge was, but we can stand in awe of these early peoples who built it. Whatever Stonehenge was originally intended to be, it became a monument to the vision and tenacity of the Ancestors of Europe.
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Works Used:
Aveni, Anthony, “People and the Sky,” Thames & Hudson: N.Y, 2008.

 Bradshaw Foundation, “Stonehenge: The Age of the Megaliths,” 2011, http://www.bradshawfoundation.com/stonehenge/index.php, .

 M, Richard, “Stonehenge,” MEgALiThiA, 06 Jan. 2006, http://www.megalithia.com/stonehenge/index.html, .

 Magli, Giulio, “Mysteries and Discoveries of Archaeoastronomy,” Copernicus Books: N.Y., 2009.

 Richards, Colin, “Rethinking the Great Stone Circles of Northwest Britain,” Orkney Archaelogical Trust, 2004, http://www.orkneyjar.com/archaeology/dhl/papers/cr/index.html, .

 Smagala, Suzzanne, “Stonehenge,” August 2007, http://helios.acomp.usf.edu/~ssmagala/stonehenge/index.html, .

Wednesday, August 27, 2014

Building Stonehenge, the Beginning (1 of 2)

During the Neolithic Period (5000 – 1000 BCE), along the Atlantic coast of Europe and in the British Isles, local peoples built and maintained great stone circles and megaliths. This activity started about 5000 BCE and continued on to about 2500 BCE. One of the last monuments to be built, Stonehenge was constructed in three distinct phases over a 1,500 year period, starting in 3000 BCE. The process of building this monument included digging large ditches as well as erecting the more famous stones. In the case of Stonehenge, three different cultures added their particular refinements to this monument.

When discussing Stonehenge, people often forget to place this monument in a greater cultural context. Nearby Stonehenge is a similar stone monument at Avebury, which was built around 2500 BCE. Meanwhile, there are signs of a similar circle at Durrington Walls, which was believed to be built before Avebury.  These megaliths, built by Neolithic peoples, had multiple uses. The purposes that archeologists believed that Stonehenge was used for included: worshipping the Ancestors, watching the heavens, and marking the cycles of the sun and other astronomical occurrences.

The building of Stonehenge can be regarded in the same light as the building of a Gothic cathedral. From the beginning of the project, the entire community is dedicated to seeing the building finished. Everyone involved understood that this construction project would take several generations to complete. Therefore, the entire community dedicated themselves to the process, and organized themselves accordingly. Some people regarded it as a fulfilling of their religious duties, while for others it was their community obligations. Though the specific vision may have been altered through the years, the newer residents of the community resolved to finish the original project.

The first group to shape Stonehenge into what we know today was the Windmill Hill People. Thought to be semi-nomadic hunters and gatherers, these people also grew some crops. What archeologists noted about these people was their propensity to orient their burials and monuments in the east-west axis. These directions were important to them, perhaps because of the rising and setting of the sun.

Monday, February 17, 2014

Divination: Norse Runes: Consecration Ritual write-up


 In order to consecrate my Rune set, I first researched how to conduct a Norse ritual. I also looked up what Gods governed the Runes and divination (in general). Afterwards, I wrote a simple ritual to ask the Gods to consecrate my Runes.

 To prepare for the ritual, I first took a bath. (As a Roman Pagan, I believe that ritual purity is important. For me, it is a part of showing piety to the Gods.) Then I cleansed the area where I would do the ritual. While preparing my ritual space, I laid out my divination cloth and Runes. Setting up an incense burner and lighting a candle, I then played several pieces of classical music to appease the Gods. (Roman Pagans play music to cover any imperfections during the ritual.)

 When I was finished setting up my sacred space, I hallowed the ritual space using the Hammer Sign. Calling on Thunor (Thor), the God of Thunder, I asked Him to protect the space for the duration of the ritual. Offering incense to Sibb (Sif), the Wife of Thunor, I asked Her to sanctify the space. (My relations with the Gods of the Runes are with the Anglo-Saxon Gods.)

 After doing that, I hailed the Anglo-Saxon Gods who govern the Runes and divination. They are Woden (Odin), who brought the Runes to the Worlds, Frige (Frigga), who read the Runes but kept her own counsel, and Freo (Freya), who is a Seidhkona (a Norse shaman). Freo is, also, noted for unraveling the Wyrd (fate) of people.

I regard the Norns (Fates) to be the most important for consecrating the Runes and for guiding their use in divination. These “Weavers of the Wyrd” are Urahr (what has become), Verdhandi (what is becoming), and Skuld (what shall be). For the Norse and Germanic peoples, They are the Weavers of our fates (Wyrd). To honor Them, I read a verse from the “Voluspa,” of the “Poetic Eddas.”

 Since for me, the Runes are drawn from the essence of all Nine Worlds, I, also, wanted to dedicate them to the Worlds. During the ritual, I hailed each of the Worlds and asked them to imbue their essence into my Runes. As I did, I could feel the energy of each world flow into my tiles.

 Then I consecrated each Rune, one by one. To do so, I first traced the Rune letter over each tile. As I chanting their name, I held each in the air to be blessed. After saying the meaning for each Rune, I asked that the Gods  that it would be “read right” and be worthy of the Well of the Wyrd (Fate).

 To finish the ritual, I bid farewell to each of the Gods. Then I asked Sibb and Thunor to return my ritual space back to ordinary use. Blowing out the candle, I ended the ritual and put everything away. While putting the Runes back into their bag, I could feel their renewed connection to the Well of the Wyrd.

This ritual can be found at : Runic Consecration Ritual

Sunday, February 16, 2014

Divination: Norse Runes: Consecration Ritual

Runic Consecration Ritual
1.      Hallow space with Hammer Sign +
“Hammer in the North, Hold and hallow this stead”
(Directions: east, south, west, above, and below)
Hail Thunor (Thor), the Thunderer, protect this space.
 --
2.      Cleanse space.
Hail Sibb (Sif), Wife of Thunor, may this space be sanctified.
Offer incense
 ---
3.      Greet the Gods and Others
Hail, Woden, the All Father!, May I honor your Gift and Sacrifice of the Runes
Hail Frige, Shining Lady of Asgard, May I show discernment in reading the Runes
Hail Freo (Freya), Shining Lady of the Vanir, May I be deft at understanding the Wyrd.

 Hail, Urdhr, Norn of What has become
Hail, Verdhandi, Norn of What is becoming
Hail, Skuld, Norn of What shall be.

“From there come the maidens
With knowledge of many things
Three from that sea,
Which stands beneath the tree;
One is called Urdhr,
The other Verdhandi,
They carved on sticks,
Skuld the third.
They laid down the law,
They choose the lives
Of the children of men,
The fates of men.”
Voluspa” Verse 20
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4.      Consecrate the Runes by tracing a figure over them, and saying each out loud.
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5. Working May these Runes draw from each of the Nine Worlds,
Midgard, the World of men,
Muspellheim, the World of raging fire, Niflheim, the World of freezing cold,
Asgard, the World of the Shining Ones, Vanaheim, the World of the Fertile Ones,
Jotunheim, the World of the Giants, Svartalfheim, the World of the Dark Elves, Ljossalfheim, the World of the Light Elves,
and Hel, the World of the Dead.

May these Runes be worthy of the Well of the Wyrd.
May these Runes read right!
 ----
6.      Open space to ordinary time and place
Hail and Farewell All!
Hail and Farewell, Woden, the Wise One
Hail and Farewell, Frige, the Frith Weaver
Hail and Farewell, Freo, the Seidhkona
Hail and Farewell the Norns, the Weavers of the Wyrd.

Hail and Farewell Sibb, Lady of the Golden Hair, may this space be ordinary
Hail and Farewell Thunor, Son of the Earth, may this space be ordinary
 --
Please note that I use the Anglo-Saxon names of the Gods since They are the Ones I am most familiar with.
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Works Used:
Aswynn, Freya, “Northern Mysteries & Magick,” Llewellyn, Woodbury, MN, 1998.
Kaldera, Raven, “The Pathfinder’s Guide to the Nine Worlds,” Asphodel, Hubbardston, MA, 2007.
---, “Voluspo,” “The Poetic Edda,” Sacred Texts, http://www.sacred-texts.com/neu/poe/poe03.htm.
Krasskova, Galina, “Exploring the Northern Tradition,” New Page Press, Franklin Lakes, N.J., 2005.
Wild, Sean, “The Runes Workbook,” Thunder Bay, San Diego, CA, 2004.

Thursday, October 13, 2011

Ghost Riders in the Sky or the Wild Hunt


The wild hunt: Åsgårdsreien (1872) by Peter Nicolai Arbo
Going by many names, the myth of the Wild Hunt can be found throughout Europe.  Although the details of the Hunt changes from region to region, the core remains the same.  A troop of the Dead is lead by a God, notable figure, Cursed Hunter, or the Devil (in Christian versions).  Dogs and livestock, such as horses or pigs, are included in the Troop of the Dead.  Usually the procession is in pursuit of something.  

The Furious Host are usually heard before They are seen.  When the sky darkens, thunder rumbles and lightening flashes warning people of Their coming.  Then the baying of the hounds, blowing of the horns or shouts of the Dead are heard.

The Wild Hunt can appear at any time.  However most sightings are reported during the times when the Dead roam freely upon the earth.  These are February, Midsummer, Winter’s Nights (October), and Yule.

A person encountering the Furious Host could escape by lying face down on the ground.  They could also greet the Leader of the Hunt politely, and receive gold.  A disrespectful person would be abducted or be told they were to die soon.

The Western song “(Ghost) Riders in the Sky” (Stan Jones, 1948) is a retelling of the Wild Hunt.  The songwriter Stan Jones (American, 1914-1963) heard the story of the Wild Hunt in Arizona.  He was a teenager riding the range with an old cowboy.  Whilst watching an on-coming storm, the cowboy told Jones a Western version of the myth.

Jones’ song tells the following story.  A cowboy riding a ridge sees a storm coming up.  Suddenly, he sees and hears a herd of red-eyed cattle with shiny black horns.  Possessing flaming brands, the cows also breathed fire.  This was the Devil’s Herd passing by him.

Pursuing the herd was a group of gaunt, sweaty, and tired cowboys.  They were trying to stop the stampede of the Devil’s Herd.  The horses that the cowboys rode were also snorting fire.  (Suffering riders is a motif in many Wild Hunt legends.)

One of the doomed cowboys calls the watching cowboy by his name.  He warns him of his potential fate if the cowboy does not repent.  He will then become one of the cursed group chasing the spooked cattle.  Shaken by his experience, the cowboy returns home.  (Being called by name and asked to repent is in Christian motifs of the Wild Hunt.)

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Works Used:

Berk, Ani and William Spytma, “Penance Power, Pursuit: On the Trail of the Wild Hunt”, http://www.endicott-studio.com/rdrm/forhunt.html

Boxell, Geoff, “The Wild Hunt or Fairy Raed”, http://geoffboxell.tripod.com/hunt.htm

Lecoutex, Claude, “Phantom Armies of the Night”. (book)

Sundlin, Michelle, “Stan Jones”, WMA Hall of Fame, http://www.westernmusic.org/performers/hof-jones-stan.html

---, “The Wild Hunt”, Orkneyjar – The Heritage of the Orkney Islands, http://www.orkneyjar.com/tradition/hunt.htm

Thursday, July 28, 2011

Roman Paganism: Capitol Triad (4)

Notes:
Triads of Roman Gods

The Romans had several Trios of Gods to oversee their State affairs. The Archaic Triad, the first, consisted of Jupiter (the Ruler of the Heavens), Mars (Guardian of the Crops), and Quirinus (God of Roman Civic Life).  Later this trio was superseded by the Capitoline Triad.

The Capitoline Triad was Jupiter Optimus Maximus (the Supreme God), Juno Regina (Ruler of the State), and Minerva (Goddess of Wisdom).  The Capitolium, a temple on Capitoline Hill, hosted these Gods.  This grouping of a male God with two females reflects Etruscan influence (of Tinia (Supreme Deity), Uni (his wife), and Menrva (their daughter, Goddess of Wisdom).    

Meanwhile, the plebeians venerated the Aventine Trio.  The temple of Ceres (the Goddess of Agriculture) on Aventine Hill, housed the City’s grain supply.  This temple also hosted Liber and Libera, Gods who oversaw the fertility of the fields.  These three Gods (Ceres, Liber, Libera), together, looked after the plebeians.

Works Used
____, Nova Roma, 2011, 05 July 2011 <http://www.novaroma.org>

Adkins, Lesley and Roy A. Adkins, "Dictionary of Roman Religion”, New York: Oxford University Press, 1996.

Asborn, Kevin and Dana Burgess, “The Complete Idiot’s Guide to Classical Mythology”, New York: Penguin Publishing, 2004

Ovid, “Fasti”, translated by Betty Rose Nagle, Bloomington: Indiana University Press, 1995.

Scheid, John, “An Introduction to Roman Religion”, translated by Janet Lloyd, Bloomington: Indiana University Press, 2003.

Turcan, Robert, “The Gods of Ancient Rome: Religion in Everyday Life from Archaic to Imperial Times”, translated by Antonia Nevill, New York: Edinburgh University Press, 2001.

Warrior, Valerie, “Roman Religion: A Source Book”, New York: Focus Publishing, 2002.

Wednesday, July 27, 2011

Roman Paganism: Capitol Triad (3)

Jupiter Optimus Maximus
The Goddess, Juno is heavily involved in the life of Rome and her people.  Juno is often invoked as the Goddess of Rome, and the Protector of the State.  Her titles give the wide range of her worship in Rome.   Juno Regina, as the “Queen of the Heavens”, like Uni, governs all aspects of Roman womanhood.  In this aspect, She is depicted wearing a goatskin cloak, and armed with a spear.  Like Uni, Juno also hurls lightening bolts.

The Matronalia (March 1) celebrates Juno as Lucina, the Goddess of Light and Childbirth.  Romans sacrificed lambs and cattle to Her.  At her temple on the Esquiline Hill, the Vestal Virgins offered to Her, their hair.  Also, mothers offered a coin to Her for each of their newborn children.  As Lucina, She watched over their newborns.

Worshipped in each of the curiae of Rome, Juno Curitis protected the citizen-soldiers of Rome.  In this aspect, She was the only deity universal to all of the curiae.  A traditional prayer to Her: “Juno Curitis protect my fellow natives of the Curia with your Chariot and Shield.”

The sacred geese of Juno Moneta warned the Romans of an impending attack by the Gauls (in 390 BCE).  After Marcus Furius Camillus won the war against the Gauls, he vowed a temple to Her in 345 BCE.  Besides Vesta’s temple, this temple to Juno Moneta was the only other round one in Rome.

In portraying Minerva, people often claim that She is the Greek Goddess of Wisdom, Athena with a Roman name.  Wearing her military tunic and aegis, and carrying her shield and spear, Minerva does portray the martial aspects of Athena Promachos (Athena the Champion).  However, the Romans also see Her as one of the Capitoline Trio (with Jupiter and Juno) overseeing state affairs.

Adapted from the Etruscan Goddess, Menrva, Minerva is also the Goddess of Wisdom, Education, and Commerce.  In addition, She is the Patroness of Textile Works, Doctors, and Artisans.  Furthermore, Minerva is the inventor of numbers and several musical instruments as well.
               Ovid writes:  “Pray now to Pallas, boys and tender girls;
               Whoever wins Her favor will be skilled,
…..
For She’s the Goddess of a Thousand Works.”

Although there is no Rome today, we can still appeal to the Capitoline Triad for their wisdom for our leaders and countries.  They can offer their guidance and protection to us, for our governments, and in our public life.  We can look to Them to show us good statesmanship as well as excellence in the arts.